Wednesday, October 22, 2008

Midterm Project for Self as subject











These images really don't do the real things any justice, but I guess you can get the idea. These were very tricky to photograph due to them involving multiple layers framed in shadow boxes. They are emulsion lifts, which I scanned and printed on Pictorico OHP film. They have mixed-media collages on 1-3 layers of plexiglass beneath the image. I'm proud of them, but not so proud of these reproductions. : /

Monday, October 20, 2008

Monday, October 13, 2008

Brave



This assignment was to take a self-portrait that is "brave."  What did I think of first?  Nude.  Nude in public = enhanced bravery.  I took these shots on a nude beach, so as not to be arrested.  Luckily, I had the whole beach to myself.  I used a Holgaroid (Holga + polaroid back) and type 669 film.  Later made my emulsion lifts on Arches cold pressed "grain fin" watercolor paper. 

After Frida


I'm not all that happy with this piece. . . though I still very much like the concept behind it.  It is the second project for self-as-subject, which was to create a "psychological self-portrait."  Having just seen the Frida Kahlo show at SF MOMA, I thought of doing this piece that I've had in mind for a while now.  This is my own personal version of "The Two Fridas."  It didn't turn out quite as I had hoped, though.  I tried to do a gel transfer with semi-matte golden's gel medium and an image printed on avery transparency.  I haven't had luck with this in the past, and this was no exception.  I spread the gel over the canvas with my fingers, making a reasonably thick layer, then while it was still wet I layed the image on top.  I used a brayer to burnish the image into the medium, which wasn't very successful.  The transparency kept buckling and not making good contact with the medium.  Also, only a few layers of color transfered, leaving little detail and a bright teal image. . . not what I was going for.  I repeated the process to see if maybe I could get a more defined image through additional layers.  Not so much.  Finally, I printed the image on plain white paper, and did a medium transfer with that.  Letting the medium dry, and then getting the paper backing wet to peel it off.  This still didn't yield an image with that much detail.  My solution was to then draw in the figures with sharpee.  I actually liked how that looked, but still wished the photo would've been more evident.  I painted the background to extend the photograph with acrylics, adding the clouds and heart, which are also in Kahlo's piece, and add a more surreal effect.

Self as subject-project 1


From this post onward, I will be blogging about the work that I am doing for my current course, Self-as-Subject.  This is the first piece I did for the class.  Polaroid emulsion lifts on canvas with acrylics and graphite.  A fun process. . . just the beginning.  I'm not satisfied with this yet.  It feels unfinished.  I need to figure out how to make the emulsion lifts not feel so separate from the background.